Optimistically promoted as “Trouville-sur-Seine,” it was located on the Seine near Bougival, easily accessible by train from Paris, and had just been favored with a visit from Emperor Napoleon III with his wife and son. La Grenouillère was a popular middle-class resort with a spa, a yachting establishment and a floating café. There is no doubt that the two friends worked side by side. An almost identical composition of the same subject by Renoir, La Grenouillère, is in the Nationalmuseum in Stockholm. The broad, constructive brushstrokes of this painting are clearly those of a sketchįor his exhibition paintings, Monet usually sought a more delicate and carefully calibrated surface at this time. A larger painting, now lost, but which belonged to the Arnhold collection in Berlin, could be the “altarpiece” of which he dreamed. This painting and another in the National Gallery in London are probably the sketches mentioned by Monet in his letter. Monet and Renoir, both desperately poor, were very close at the time. “I have a dream, a painting, the baths of La Grenouillère, for which I have made some bad sketches, but it is only a dream” Pierre-Auguste Renoir, who has just spent two months here, also wants to do this painting” Monet wrote on Septemin a letter to his colleague Frédéric Bazille: He was accompanied by Pierre-Auguste Renoir, who also painted the scene at the same time. It depicts the “island of the pot”, also known as the Camembert, and the gangway of the Grenouillère, a floating restaurant and charter boat on the Seine in Croissy-sur-Seine. 2- Bain a la Granouillereīain à la Grenouillère is an oil on canvas from 1869. John Singer Sargent saw the painting at the 1876 exhibition and was later inspired to create a similar painting, Two Girls with Parasol at Fladbury, in 1889. Ten years later, Monet returned to a similar subject, painting in 1886 a pair of scenes featuring the daughter of his second wife, Suzanne Monet, with a parasol in a meadow at Giverny they are in the Musée d’Orsay. The painting was one of 18 works by Monet exhibited at the second Impressionist exhibition in April 1876, at Paul Durand-Ruel’s gallery. It measures 100 × 81 centimeters, Monet’s largest work of the 1870s, and is signed “Claude Monet 75” in the lower right corner. The work is a genre painting of an everyday family scene, not a formal portrait.It was painted outdoors, en plein air, and quickly, probably in a single period of a few hours. She is seen as if from below, with a strong upward perspective, against fluffy white clouds in a blue sky.Ī boy, Monet’s seven-year-old son, is situated farther away, hidden behind a rise in the ground and visible only from the waist up, creating a sense of depth. Monet’s veil is moved by the wind, as is her billowing white dress the waving grass of the meadow is echoed in the green underside of her parasol. Monet’s light, spontaneous brushstrokes create splashes of color. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period between 18, while living in Argenteuil, capturing a moment of a stroll on a windy summer day. Woman with Parasol – Madame Monet and her Son, sometimes known as The Promenade (French: La Promenade) is an oil on canvas by Claude Monet from 1875. Among the best known examples are his series of haystacks (1890-91), the paintings of Rouen Cathedral (1894) and the water lily paintings in his garden at Giverny that occupied him continuously for the last 20 years of his life. Monet’s ambition to document the French countryside led him to paint the same scene many times to capture the changing light and the passing of the seasons. One of his early influences was Eugène Boudin, who introduced him to the concept of plein air painting.įrom 1883, Monet lived in Giverny, also in northern France, where he bought a house and property and began an extensive landscape project, including a water lily pond. His early works include landscapes, seascapes and portraits, but attracted little attention. He studied at the Académie Suisse and with the academic history painter Charles Gleyre, where he was a companion of Auguste Renoir. He was very close to his mother, but she died in January 1857, when he was sixteen, and he was sent to live with his aunt Marie-Jeanne Lecadre, widowed and childless, but wealthy. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. Monet grew up in Le Havre, Normandy, and from an early age was interested in the outdoors and drawing.
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